Raven Chai (they/them) is currently a graphic design student at CalArts with a love for music design.
When they’re not designing, you can find them at a concert, upcycling clothes, watching a movie, or petting every dog they see!
Raven Chai (they/them) is currently a graphic design student at CalArts with a love for music design.
When they’re not designing, you can find them at a concert, upcycling clothes, watching a movie, or petting every dog they see!
Raven Chai
Raven Chai (they/them) is currently a graphic design student at CalArts with a love for music design.
When they’re not designing, you can find them at a concert, upcycling clothes, watching a movie, or petting every dog they see!
Raven’s Remix
2026→ Packaging
→ Typography
Raven’s Remix is a card game designed to help graphic designers combat design block by randomly pairing a way to discover music through CDs with an accompanying design prompt. Inspired by my frustration with design block and my love for physical media, the deck offers 50 track cards with endless possibilities.
To play, players spin the CD spinner to determine which track to play. From there, players select a CD based on the prompt and listen to it while implementing the design prompt.
To play, players spin the CD spinner to determine which track to play. From there, players select a CD based on the prompt and listen to it while implementing the design prompt.
Girlpuppy EP Rollout
2026
→ Campaign Design
→ Environmental Design
→ Identity
→ Branding
→ Campaign Design
→ Environmental Design
→ Identity
→ Branding
This project explores a conceptual EP rollout for girlpuppy’s Swan. The identity places emphasis on soft, curved typography, ornaments, and pale colors to create a cohesive rollout that can be translated across digital and physical formats. It was designed with a mid-budget in mind.
Assets include environmental implementations such as a billboard and a poster, as well as digital assets including a music video title card, Spotify Canvas, and a tracklist reveal post. This rollout prioritizes consistency and scalability, as graphics evolve while still maintaining Swan’s dreamy aesthetic.
Assets include environmental implementations such as a billboard and a poster, as well as digital assets including a music video title card, Spotify Canvas, and a tracklist reveal post. This rollout prioritizes consistency and scalability, as graphics evolve while still maintaining Swan’s dreamy aesthetic.
The Lost Tour Merch
2026→ Identity
→ Branding
A conceptual graphic merchandise line for Phoebe Bridgers’ The Lost Tour. Rooted in extraterrestrial and medieval themes, the project explores a cohesive visual system that is applied across various merchandise.
Peripheral Vision Reimagined
2026
→ Packaging
→ Typography
This project aims to reimagine Turnover’s Peripheral Vision on vinyl through dreamy and nostalgic visuals.
2026
→ Typography
→ Screen Printing
For Sakura Martinelli’s narrative film, Rora. I worked on a series of designs spanning from t-shirt, prop, and title card designs. I designed and screen printed a series of shirts worn by the character Maud, drawing inspiration from traditional band tees while prioritizing legibility. I also created the gig poster featured in Maud’s bedroom, using handwritten oil pastel typography to match the other ‘90s DIY gig posters on her wall. To tie together the film’s graphic identity, I designed the film’s title card and end credits, embracing a more elegant typographic approach.
Peripheral Vision Reimagined
2026→ Packaging
→ Typography
This project aims to reimagine Turnover’s Peripheral Vision on vinyl through dreamy and nostalgic visuals.
Rora
2026→ Typography
→ Screen Printing
For Sakura Martinelli’s narrative film, Rora. I worked on a series of designs spanning from t-shirt, prop, and title card designs. I designed and screen printed a series of shirts worn by the character Maud, drawing inspiration from traditional band tees while prioritizing legibility. I also created the gig poster featured in Maud’s bedroom, using handwritten oil pastel typography to match the other ‘90s DIY gig posters on her wall. To tie together the film’s graphic identity, I designed the film’s title card and end credits, embracing a more elegant typographic approach.
Selected Posters
2025-2026→ Typography
An ongoing collection of poster designs. Designs range from 8.5x11” to 20x28”.